Forever Free

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Forever Free

1867

https://www.metmuseum.org/art/collection/search/846939

Lewis, a sculptor of African American and Ojibwe heritage, completed Forever Free in Rome in 1867, two years after emancipation in the United States and a year before Carpeaux finished Why Born Enslaved! Whereas Carpeaux represents the theme of abolition by sculpting a bound woman, Lewis sculpts two free figures. Unlike virtually all other such images of the period, the Black man stands rather than sits or kneels. With a broken shackle in hand, he raises aloft his fist in a gesture of strength and self-determination. He rests his other hand protectively on the shoulder of his female companion who kneels and clasps her hands in gratitude. The differing postures of Lewis’s figures anticipates the divergent experiences of emancipated men and women. Yet the inscription on the base, neither pleading nor beseeching, proclaims: "Forever Free."

H. 41 3/4 in. (106 cm), W. 22 1/2 in. (57.2 cm), D. 12 3/8 in. (31.4 cm)

Metropolitan Museum of Art (New York, N.Y.)

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SNAC Resource ID: 11674951

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Lewis, Edmonia, 1844-1907

http://n2t.net/ark:/99166/w6pp9vrj (person)

Mary Edmonia Lewis was an American sculptor who worked for most of her career in Rome, Italy. She is the first woman of African-American and Native American heritage to achieve international fame and recognition as a sculptor in the fine arts world. Though many of her sculptures depicted prominent American figures, Edmonia never forgot her heritage, paying homage to both her African American and Native American origins in sculptures such as “The Arrow Maker” (1866) and “Forever Free” (1867)....